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Title: Reading Kane
Source: Film Quarterly [0015-1386] yr:1985 vol:39 iss:1 pg:10
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1. Carringer, R. "Orson Welles and Gregg Toland: Their Collaboration on Citizen Kane." Critical inquiry 8.4 (1982): 651-674. Link to SFX for this item
2. Robert L. Carringer, L. Carringer C. "Citizen Kane." The Journal of aesthetic education 9.2 (1975): 32-49. Link to SFX for this item
3. Carringer, Robert L. "Rosebud, Dead or Alive: Narrative and Symbolic Structure in Citizen Kane." Publications of the Modern Language Association of America 91.2: 185-920. Link to SFX for this item
4. Hubert, C. "The "Heart of Darkness" in "Citizen Kane"." Cinema journal 12.1 (1972): 11-25. Link to SFX for this item
5. Stubbs, J. "The Evolution of Orson Welles's Touch of Evil from Novel to Film." Cinema journal 24.2 (1985): 19-39. Link to SFX for this item
6. Jewell, Richard B. "ORSON WELLES, GEORGE SCHAEFER, AND IT'S ALL TRUE: A "CURSED" PRODUCTION." Film history 2.4 (1988): 325-335. Link to SFX for this item
7. Carringer, R. "Citizen Kane, The Great Gatsby, and Some Conventions of American Narrative." Critical inquiry 2.2 (1975): 307-25. Link to SFX for this item
8. Jackson, K. "Leaving Rosebud, Leaving the Valley: Vestiges of Childhood in Two Classic Films from 1941." The journal of American culture 29.3: 296-306. Link to SFX for this item
9. Tomasulo, Frank P. "Narrate and Describe? Point of View and Narrative Voice in Citizen Kane's Thatcher Sequence." Wide angle 8.3-4: 45-. Link to SFX for this item
10. Turner, George. "A cop gone wrong." American cinematographer (1998): 88-. Link to SFX for this item
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